Inspired by English surroundings Go Go Charlton smells like the cigarettes that you share, the beer that you drop when toasting and some noble sweat: the sweat emitted by warmth of friends. In UK it could have been a Manchester pub where New Order or The Smiths played for fun. In France it would be Patrick Dewaere negligently laughing on a soccer field. But it's mostly about music, about friends staying up late and about some heroic gigs.－－－ via virb.com
Go go charlton 是今年草創的法國團體，受到英倫影響頗鉅的洗禮。整張專輯走的是new wave的風格，但不時有其中幾首走的類似Indie Rock的曲風﹔低沉帶些磁性的男聲，隨著guaitar和鍵琴的轉譯，刻劃出淡淡的憂傷。
我最喜歡Berlin這一曲，開場用吉他fade in的方式帶出，再搭配甜美矯飾的假音唱出” I dream before you came around"; 接著以喉音唱出"Nothing has you ever seen"，反覆強調無所謂的肯定。中場的鍵琴是讓我極度狂戀這一手的原因，強烈地劃分氣氛的轉場，還有情緒的展延。在結尾處，隨性的用吉他帶過，好似這一場戀情以隨之逝去，不在留戀。
Go Go Charlton is a very new, very sexy four-piece from Paris, France. If you're looking for a sort of loungier, ballad-y version of the Strokes, Go Go Charlton is the band you need to start listening to!Just look at their names! Olivier, Guillaume, Nicolas, Stobal! You can't get a whole lot cooler than these lads!And, fittingly, this is how they describe themselves:Inspired by English surroundings Go Go Charlton smells like the cigarettes that you share, the beer that you drop... via mylot
LU:D - this is nighttime 來自挪威的LU:D 揭示下一個pop rock star的來臨
THIS IS NIGHTTIME- LU:D
“in the night silvernight, the night so nightly night” -- 來自Olso的四人團體，以真誠不撲華的音樂來詮釋他們的感情。那一股深切帶著一些許的憂傷，正是典型北歐音樂的表達﹔那一股不扭捏的蠻勁，漸漸地充斥著那一個以酒抒發內心的鬱悶﹔那一股執著自我醒思的簡單，覆蓋起白愷愷的環境，轉變成浮華世界的控訴。
Lu:d are four young men from Oslo: Tian (vocal/songwriter), Markus (guitarist), Vegard (bass guitarist) and Marius (drummer). Since the release of , their debut, in 2006 after signing to the country’s independent label REC90, they have been wildly compared to Radiohead, Coldplay, Keane, Travis and the like. ----via ZOO.
其中的time will tell, 彷彿身處karaoka裡面，以低分貝的歌唱配合著合成的音樂的起伏，帶著他那一股Thom Yorke式般的憂傷情感，還有在啜泣的中段，用鍵琴.吉他.鼓.弦樂，來表達低落的心情。
以弦樂開頭的ａsober life搭配吉他，來表達酒醒的心情。"if u can't feel yrself"，一股莫名的低潮讓鍵琴切割出生活的不滿。
After slowly emerging from the echoing dronescape of the expansive intro, the title track fuses circular, delay-heavy guitar ripples (reminiscent of Michael Brook’s infinite guitar work) with angelic vocal pads and meticulously edited rhythmic textures, resulting in an intoxicating blend halfway between post-rock grandeur and Isan’s warm, emotive electronics. When female vocal elements bubble to the surface, on both “Yui” and the sparsely downbeat “S.A.D.,” they emerge as disembodied fragments beamed in across crumbling telephone lines, adding to the weight of desperation generated by the pieces that do make it through.
我喜歡聽混雜音效的音樂 Ｂ.Ｆleischmann-24.12.
B. Fleischmann慣於愈大量的合成敲擊聲，來模擬敲擊的音效﹔再帶進吉他.提琴，來編織他所謂的folktronic。
Melivn Sokolsky has published hisbook " the dream".
"All of the digital photographic devices are meaningless without an idea," he says. "It still needs the content that comes from the human mind. It's a new time for me because I am stoked about what I can do. I find new freedom within myself."
"I can tell you everything I am going to do, but you can't steal my idea, because it is individual to me. It's as individual to me as my fingerprint. You can copy my work, but it won't be the same. I can't even copy my work. That photograph that took place is a moment I built. It culminated at that time and place... and it's over."
事實上他自己也抄襲他喜愛 Flemish painter Hieronymus Bosch的idea ＂the graden of delight＂﹔那場地或者那時間所呈現的是不可抄襲的，或許他只是抄襲the meaning of itself，而不是盲目地執著於受限制的意義。
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