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Friday, December 19, 2008
JCVD裡的顛覆真實

自我調侃的敘事

  今年比利時的Bruges當紅,連續兩部片子在當地拍攝﹔一個是黑色喜劇的in Bruges,另一個是導入式自述的JCVD,不同有爾地,我都醉倒於兩部片子的導演敘事方式﹔一個是充滿髒話無奈的殺手人生,另一個是光鮮耀目的過氣動作明星,不同有爾地,我都醉倒於兩個主角的特質﹔一個是穿梭於Bruges的歷史街道,另一個是遊走於有限空間的Bruges內,不同有爾地,我都醉倒於兩部片子裡的氛圍情懷。

  JCVD就是尚克勞德范達美(Jean-Claude Van Damme)的縮寫,一個老態龍鍾的過氣動作明星,代表著比利時的驕傲﹔但卻因缺錢.離婚輸了孩子的撫養權及失去得來不易的表演機會之後,間接地涉入郵局的搶案。

The film establishes Jean-Claude Van Damme, who is playing himself in an alternate reality, as an out of luck actor. He's out of money, his agent can't find him a decent production, and the judge in a custody battle is inclined to give custody of his daughter over to his ex-wife. He returns to his childhood home of Brussels: where he’s still considered a national icon.

When he goes into a post office to receive a wire transfer, he finds himself in the middle of a hostage situation. Due to an unfortunate mistake, the police believe Van Damme is responsible for the crime. As the events are played from different perspectives, Van Damme finds himself acting as a hero to protect the hostages, as well as a negotiator as the presumed perpetrator. Van Damme is forced to play a different kind of hero by accepting responsibility for crimes he didn’t commit and the life mistakes that he made. via Wikipedia

內心中的掙扎戲碼 
 
  我最喜歡其中的一幕,內心自省的喃喃自白,搭配著離地兩呎的場景;反覆地衝突內心的對談,還有那類似飄邈的離世。我最喜歡倒敘及不時地穿插的情景,猶如小說般的導入讀者的心靈,慢慢地融入虛構的想像。

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