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Tuesday, December 02, 2008

I M Pei 玩耍伊斯蘭

austerity and simplicity

　　“a severe architecture that comes to life in the sun, with its shadows and shades of colour.” －－　I M Pei

　　老當益壯的貝律銘，揭示了他對中亞文化的現代觀。幾何堆疊出來的mass，在形式上轉譯出伊斯蘭傳統的建築觀﹔類似以一種後現代觀去表顯建築物的價值。那裡所圍塑出的氛圍，如同我行走在Aya Sofia的氣度；Light and shadow成為虛空間的主角，人們流動於Public space，帶一點些許的莊嚴的敬畏。
　　Doha, QATR的伊斯蘭教美術館裡，不外乎看到那利落的線條所成就出的空間﹔不過我在這一個美術館本體中，還沒有看到人在空間裡群聚性的擬結，倒是新時代的轉譯方式，讓我嗅到中東所累積出來的美學觀。那簡化出來的空間感，不吝惜於副加上繁瑣的裝飾，來繼續提煉那歷史的萃取物﹔那倒置的時空，好似奧斯曼大帝君臨於此，又如同the fall 裡的超現實影像，重複交疊在現實之中，詭異地在那一邊蜷伏著。

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